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Carl Hammer Gallery is very pleased to present the
paintings of Marc Dennis in his third solo exhibition in the
gallery. Dennis makes hyper-realistic and highly detailed paintings
that address the subversive potential of desire, pleasure and
beauty.
Destabilizing the
familiar, dissatisfied with the limits of nature, Dennis leads us
into the spectacle of subtly altered worlds, into the spellbound,
enigmatic and wondrous terrains of invention and artifice.
Marc takes pleasure in painting images that best embody our
curiosities and passions, each
lovingly, obsessively delineated.
“To an artist, a
picture is both a sum of ideas and a blurry memory of “pushing
paint,” breathing fumes, dripping oils and wiping brushes, smearing
and diluting and mixing,” art historian James Elkins noted in his
book, What Painting Is. Marc Dennis’ entire body of work is
characterized by this kind of immersion in the physicality of
painting. A
gifted draftsman with a seemingly boundless, even alarming curiosity
for the infinite things of this world, Marc Dennis incessantly draws
everything he sees as a record of his encounters, merging art with
science, and perhaps more importantly, as a way of embracing and
possessing the world spread out before him.
Restlessly
imaginative, Dennis is a formalist as well as a fantasist with
scientific leanings, as concerned about composition and
execution—the relationship of subject and ground, positive and
negative space, the interaction of colors, the rendering of
textures, light and shadow—as he is about narrative.
Interested in the transformative possibilities of
cultural icons, Dennis explores the charged subjects of death,
decadence, power and sexuality in his work and the struggle inherent
in all relationships, including the duality within our own human
nature. Dennis’ carefully arranged and succulently painted images
reference the traditional genre of the still life while placing upon
his subjects a faintly macabre character.
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