CARL HAMMER GALLERY

740 North Wells Street, Chicago, Illinois 60610 312.266.8512  fax 312.266.8510

hammergall@aol.com

 

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hammergall@aol.com

 

Phyllis Bramson

 

 

 

 

Tit for Tat, 2005

Figurine

14"D x 10"W x 23H" Scroll 16"W

 

Rabbit That Sucks Fur, 2006

Figurine

22"H x 10"D x 12"W

Scroll 16"w x 14"L

 

Bedtime Stories and Tales of Love, 2006,

24" x 21 " x 12", Scroll: 60" x 21 "

Mixed media

 

The Buddha with a Past
2006, 19 " x 16 " x 13 ", Scroll: 60" x 16"
Mixed media

Dreaming of Springtime, 2006,

14 " x 10 " x 9 ", Scroll: 60" x 14 "
Mixed media
 

Telling Tales in Winter, 2006

mixed media

16 x 16 x 13", scroll 60 x 13"

Harvesting Women
2006, 70 x 60
Mixed Media on Canvas
Pastorial Pleasures
2006, 70 x 60
Oil on Canvas

A Glance a Glare and a Stare, 2005

60"x 60"

Mixed Media on canvas

 

 

Left Behind (Sputtering) In a Cloud of Winter, 2004

 72"x 84"

Mixed Media on Canvas

 

Picturing a Model World, 2003
Mixed media on canvas
72 x 84 inches
PB 37

The Babble and Blab of Dabbling, 2006

 70"x 60"

Mixed Media on Canvas

Dream Land, 2006

 34"x 50"

Mixed Media on Paper

 

Squanderd Affections, 2006

34"x 50"

 Mixed Media on Paper

 

What Went Wrong?, 2004

70"x 50"

 Mixed Media on Canvass

 

Acts of Theft, 2003
Mixed media on canvas
60 x 60 inches
PB 46

Harem Scare'em, 2001
Mixed media on canvas
60 x 72 inches
PB 33

 

The so-called progress of love (even after)

A collaboration between Phyllis Bramson and Lady Ying -Ying, the retired perfumed companion.

 My work often deals with illusion and cliché.  The central source of my imagery usually comes from experiences and memories that have to do with some sort of ‘traveling’. Images used as a repository for feelings, relating  to cultures and places  which often collide and intermingle between notions of the personal and at the same time, propose a story but doesn’t tell the ending.  Narratives that negotiate between private subjective values, social concerns and self subscribed metaphors; for it is  the philosophical as well as visual aspects of making art that enlightens me.  Provoking and inviting speculation, the pieces promote notions about ‘complicity” and ‘good’ behavior, while projecting a capricious irritability.  The visual concoctions and interjections become phantasmagoric shifts about desire, success, failure, faith and willful seduction. 

The work presented at the Carl Hammer Gallery allows for a new direction:  figurines acting as props that hold or support large mixed media scrolled drawings.  The motives for this work are not entirely clear, but certainly relate to obsessions, a craving for beauty and a certain love of theatrical eclecticism where art and décor are interchangeable. 

 

Lady Ying -Ying, the retired perfumed companion

 Lady Ying -Ying, has been present in my artistic life for some time, but I didn’t publicly acknowledge her.  She is a doppelganger of sorts, or personae.  We alternate in nature, mood and strategies of the hand, but I am often as interested as Lady Ying -Ying, in ‘pleasure gardens’ as a site that projects vaporous and sulfurous atmospheres.  Where figures romp in a framework provided for love and often the viewer is acknowledged as a voyeur. Using visual puns which depend on the comparison between things with similar visual characteristics; both of us trying to outwit each other, by introducing images and shapes that might appear inappropriate to some viewers.  Our mutual collaboration guarantees an eclectic bricolage that is formed from many bits and pieces which combine decorative and material playfulness with the erotic, in order to establish an intimate relationship with the viewer.

 

Bramson 2006

 

 

PHYLLIS BRAMSON Biography

EDUCATION

 

1962 Yale University, Yale/ Norfolk Art Scholarship (Summer)

1963 BFA in Drawing and Painting, University of Illinois, Urbana, IL, Awarded high Honors

1964 MA in Painting, University of Wisconsin, WI, Vilas Fellowship

1974 MFA, School of the Art Institute, Chicago, IL

Professor of Studio Arts, Department of Art & Design, University of Illinois at Chicago

 

SELECTED GRANTS

 

1976 National Endowment for the Arts Fellowship Grand/Crafts 1980 Louis Comfort Tiffany Grant

1981 Illinois Arts Council Fellowship Grant

1983 National Endowment for the Arts Fellowship Grant/Painting

1988 Illinois Arts Council Fellowship Grant, Senior Fulbright Scholar-Australia

1993 John Simon Guggenheim Grant

Marie Walsh Sharpe, New York City Studio Grant

National Endowment for the Arts Fellowship Grant/Printmaking

1997 The Rockerfeller Foundation Residency/Grant (Bellagio, Italy) 2000 Illinois Project Completion Grant

2003 Institute for the Humanities, The University of Illinois at Chicago, Grants-in-Aid Award

2003 Institute for the Humanities, University of Illinois at Chicago, Travel Grant

2004 Artadia Jury Award: The Fund for Art and Dialogue

 

SELECTED ONE-PERSON EXHIBITIONS

 

1980 Gallerie Farideh Cadot, Paris, France

1985 Carnegie-Mellon University, Hewlett Gallery, Pittsburgh, PA

1986 The Renaissance Society at the University of Chicago, IL

(mid-career survey)

Monique Knowlton Gallery, New York, NY (1977, 1979, 1981, 1982, 1984)

1988 Victorian College of the Arts, Melbourne, Australia

1992 Dart Gallery, Chicago (1980, 1983, 1985, 1988)

1993 Brody's Gallery, Washington, DC (1987)

1996 Phyllis Kind Gallery, Chicago, IL (1994)

1997 Printworks, Chicago, IL( 1992)

1998 The Chicago Cultural Center

1999 Bucheon Gallery, San Francisco, CA

2000 Carl Hammer Gallery. Chicago, IL

Littlejohn Contemporary, New York, NY

2001 Fort Wayne Museum, Fort Wayne, IN, "Focus Series: Phyllis

Bramson"

2002 Indiana University, Bloomington, IN University Gallerys, "A

Thousand Scattered Secret Yearnings"

Ispace, (University of IL/Urbana), Chicago, IL, "A Thousand Secret and Scattered Yearnings"

Littlejohn Contemporary, New York, NY

2003 Carl Hammer Gallery, Chicago IL, "Seasonal Pleasures Provided By

The Comfort of Women"

2004 Littlejohn Contemporary, New York, NY, "Seasonal Pleasures

Provided By The Comfort of Women"

Boulder Museum of Contemporary Art, Boulder, CO, "When the Body Speaks its Mind"

Printworks Gallery, Chicago, IL, "Prints Behaving Badly"

University of Northern Iowa, Gallery of Art, Cedar Falls, IA "Body Trouble = The Facts of Life"

2005 "Kitsch-Ching", A Solo Exhibition for Scope New York, New York City, NY

Claire Oliver Fine Art, New York, NY, Selections from "When the Body Speaks its Mind"

2006 Claire Oliver Fine Arts, New York, New York "The Pleasuring Gardens"

Carl Hammer Gallery, Chicago, Illinois "The So-Called Progress of Love, Even After"

 

SELECTED GROUP EXHIBITIONS

 

1976 The Renwick Gallery, The Smithsonian Institute, Washington, DC,

"Objects as Poet"

1979 Museum of Contemporary Art, Chicago, IL, "Colors in Sticks"

1980 Contemporary Art Center, Cincinnati, OH, "Chicago/Chicago"

Art Institute of Chicago, Chicago, IL, "Chicago & vicinity Exhibition," Awarded the Pauline Palmer Prize

Barbara Gladstone Gallery, New York, NY, "Interiors"

1981 Art Institute of Chicago, Chicago, IL, "Prints & Multiples,"

Traveling to: National Academy of Design,

New York: National Museum of American Art, Washington, DC

1982 Museum of Contemporary Art. Chicago, IL, " Recent Acquisitions to

the Permanent Collection"

1983 Musee De Toulon, Toulon, France, "New Acquisitions"

Madison Art Center, Madison, Wl, "Chicago/ Some Other Traditions"

1985 Seattle Art Museum, Seattle, WA, "States of War"

Kansas City Art Institute, Charlotte Crosby Kemper Gallery, Kansas City, MO, "Personal Metaphors"

1987 Walter Bischoff Gallery Grunwald, Munchen, Germany, ''Drawings,"

three-person show"

1989 Blum Helman Warehouse Gallery, New York, NY, "Lines of Vision:

Drawings by Contemporary Women"

1990 Museo d'arte MACC, Caracas, Venezuela, "Lineas de Vision; Dibujos

de clen myeres artistas"

Weatherspoon Art Gallery, University of North Carolina, Greensboro, "Art on Paper/1990"

1991 Smart Museum, University of Chicago, "Cross Currents"

Penn State University Art Gallery, University Park, PA, "Gender and Representation"

1992 Center for Creative Studies, Center Galleries, Detroit. Ml, "The

Home Show"

Southern Alleghenies Museum of Art, Loretto, PA, "Beyond

Realism: Image and Enigma"

Susquehanna Art Museum, Harrisburg, PA, "Fantasy and Dreams"

1993 Corcoran Museum of Art, Washington, DC, "43rd Biennial of Contemporary American Painting"

Greenville County Museum, Greenville, SC, "Already Buddha"

1994 Davenport Museum of Art, Davenport, 1A, "Recent Chicago Imagism,"

Mexico/United States Collaborative Printmaking Exhibition.

Traveling to:

Centro Cultural, Guadalajara, Mexico; El Museo de Art Moderno, Aquascalients, Mexico

1995 P.P O.W. Gallery, New York, NY, three-person exhibition

David Beitzel Gallery, New York, NY, "Insight"

The New Museum of Contemporary Art, New York, NY, "Temporarily Possessed"

1996 Center Galleries, Center for Creative Studies, College of Art &

Design, Detroit, MI, "Constructivists"

Rockford Art Museum, Rockford, IL, "Women of the Chicago Imagists Movement" (catalogue)

Block Museum Gallery, Northwestern University, Evanston, IL "Second Sight" 1955-1995"

Museum of Contemporary Art, Chicago, IL, "Art in Chicago:

1945-1995" (catalogue)

1997 Stefan Stux Gallery, New York, "Sex/Industry," curated by John

Yau

Southeastern Center for Contemporary Art, Winston-Salem, NC, "Women's Work/Examining the

Feminine in Contemporary Painting" George Billings Gallery, New York, NY, "Convergence" Museum of

Contemporary Art, Chicago, IL, "Works on Paper/Recent Acquisitions"

1998 The Corcoran Gallery of Art, Washington, DC, "New Acquisitions"

1999 Littlejohn Contemporary Gallery, New York, NY, "Summer Painting

Show"

2000 The New Museum of Contemporary Art. New York, NY, "Picturing the

Modem Amazon Woman"

Fort Wayne Museum of Art, Fort Wayne, Indiana, "

Invitational Biennial 2000"

Printworks Gallery, Chicago IL, " The Exquisite Corpse", catalog

Chicago Cultural Center, Chicago, IL, "Out of Line: Drawing New Conclusions", catalog

Florida International University, The Art Museum, Miami, FL " Fantasies and Curiosities", catalog

Littlejohn Contemporary, New York. NY " Summer Painting exhibition"

Bucheon Gallery, San Francisco, CA "' Large Paintings"

2001 Rockford Art Museum, Rockford, IL, "Reflections in Hope"

Smart Museum at the University of Chicago, Chicago, IL

Littlejohn Contemporary, New York, NY, "New Paintings of Gallery Artists"

Carl Hammer Gallery, Chicago, IL, "Of Dreams and Dreamers"

2002 Exit Art, New York , NY, "Reactions", Invitational

Traveled to The Williamson Gallery, Art Center College of Design, Pasadena, CA

Gallery of Contemporary Art, University of Colorado at Colorado Springs, "Shark's Ink, 1976-2001

Carl Hammer Gallery, Chicago, IL, "Pasted on"

Littlejohn Contemporary, New York, NY , "Gallery Artists"

The Armory Show, New York, NY

Bucheon Gallery, San Francisco, CA, "The June Show"

Emily Davis Gallery, Myers, School of Art, The University of Akron, Akron, OH "Private Figures"

Zolla Lieberman Gallery, Chicago, IL, "Luscious Too"

Palm Springs Museum, Palm Springs , CA, "Humor as Art:

Selections from the Permanent Collection"

Columbia College/Artemisia Gallery, Chicago, IL "To Kiss The Spirits"

Sheppard Gallery, University of Nevada, Reno, NV, "Contemporary Drawing Survey"

2003 Evanston Art Center, Evanston, IL, "2003 Spring Benefit

Exhibition"

First Center for the Visual Arts, Nashville, TN, "Real

Illusions: Contemporary Art from Nashville Collections"

Hyde Park Art Center, Chicago, IL, "Operation: Human Intelligence" sponsored by the Contemporary Arts Council"

Littlejohn Contemporary, New York, NY, Summer Show of Gallery Artists

Art Museum, University of Memphis, TN, "Operations Human Intelligence"

SOFA Chicago 2003, Chicago, IL, "Artists on the Map", a curated exhibition sponsored by the City of Chicago

Rockford, IL, "A Passionate Perspective: The Frances and June Spiezer Collection"

2004 Hyde Park Art Center, Chicago, IL, "I Read it for the Art:

Chicago, Creativity, and Playboy", work from the

corporate collection

The National Academy Museum, New York City, NY, "179th

Annual: An Invitational Exhibition of Contemporary

American Art"

Northern Indiana Arts Association, Munster, IN, "Artist as Collector"

Northern Indiana Arts Association, Munster, IN, "That 70's

Show: Age Pluralism in Chicago"

Purdue University, Purdue, IN, "Treasure-Trove", Purdue, University Galleries

COFA/Claire Oliver Fine Art, New York, NY, "Innocence and Insight

NIU Art Museum, Northern Illinois University, Dekalb, IL, Highlights from the Permanent Collection

Carl Hammer Gallery, IL, "The Reflected/Refracted Self"

2005 Emily David Gallery, Myers School of Art, The University of

Akeron, Akron, OH, "Man and Beast"

Chicago Cultural Center, Chicago, IL, "Centrally Located:

The Artadia and Richard H Driehaus Foundation 2004 Awards

Claire Oliver Fine Arts, New York, NY, "Earthly Delights/ a Selection From Gallery Artists"

H. F. Johnson Art Gallery, Carthage College, Kenosha, WI, "Chop Mark 11"

Laura Mesaros Gallery, West Virginia University, Morgantown, VA, "On Paper: Prints from Normal Editions Workshop"

Arvada Center for the Arts, Arvada, CO, "5 Presses: Selected Works"

Chicago Cultural Center, Chicago, IL, "On the Mark: Chicago Printmaker's Collaborative, 1989-2005"

Savannah College of Art and Design, Red Gallery, Savannah, GA, "Print, Process, Collaboration"

2006 Carl Hammer Gallery, Chicago, IL, "All About Women"

Jean Albano Gallery, Chicago, IL, "Scapes"

Highland Park Art Center, Highland Park, IL, "The Spirit and the Psyche"

Printworks, Chicago, IL, "The Art of the Bookplate"

South Eastern Center for Contemporary Art, Winston-Salem, SC, "SECCA Collects"

Evanston Art Center, Evanston, IL, "2006 Spring Benefit Exhibition"

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  Link to Phyllis Bramson's personal site.  www.phyllisbramson.com

 

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email:     hammergall@aol.com

phone:     312. 266.8512

fax:           312. 266.8510

 

 

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Date last updated 05/31/07